Field notes from the work
Twenty-three practical pieces drawn from a life with bikes, digital work and communication—tested in the field, backed by real numbers and shared without a form. Take what helps.
Start here
One principle, one commercial truth and one case where both were tested under pressure. Together they are the shortest route into how I think and work.
Start with the principle · Earned media
Why an independent voice carrying your story is worth more than the reach it delivers—and what has to be true before that trust transfers.
Read the field noteThen the commercial truth · Creators
A dozen conversations with exactly the right customers may be worth more than a million impressions.
Read the field noteThen the proof · Case study
How a complex piece of hardware came to mean something to riders, journalists, racers and investors at once.
Read the caseEarned media
Why an independent voice carrying your story is worth more than the reach it delivers, and the four conditions that have to hold before any of it transfers.
Earned media
A six-rung ladder from attention to commercial result, and how to report the highest rung you can actually support with evidence.
Earned media
A six-week system for arriving at launch day with the understanding and evidence already in place, instead of buying attention for a story nobody can follow yet.
Cycling tourism
Why cyclists research, plan and convert differently from general tourists, and what that means for how a destination spends its budget.
Cycling tourism
The gap between what a European destination actually has and what visitors understand it to offer is the largest opportunity in the category right now.
Cycling tourism
Five principles built on real routes, credible people, useful distribution and measurable traveller intent.
Earned media
How destinations earn reach without an ad budget: route proof, cycling media, creator distribution and partnerships that last longer than a campaign.
Cycling tourism
Cycling tourism is growing fastest outside the Western European ecosystem, in places with compelling product and no marketing infrastructure yet.
Cycling tourism
E-bikes as a primary product, midlife women as the segment nobody markets cycling to, and a narrow window for Western Europe.
Cycling brands
The most familiar cycling market in the world is not an easy one. A mature culture creates a large audience and a high credibility threshold at the same time.
Cycling brands
The algorithm is not the problem. Cycling audiences share what they would be proud to share, and ignore everything obviously produced to sell.
Cycling brands
Every major show concentrates journalists, creators and industry professionals in one place for three days. Most brands treat it as a sales event and capture a fraction of the value.
Cycling brands
Most cycling organisations know two options: hire an agency or hire an employee. There is a third, and it fits this category unusually well.
Creators & influencer
Five different businesses hide inside the word creator. Buying one role while expecting another's outcome produces the wrong brief, budget, contract and report.
Creators & influencer
A five-level maturity model, and why the old exchange — free gear for posts — no longer describes what a serious outdoor project involves.
Creators & influencer
A campaign reaches hundreds of thousands of people and a week later the business cannot reach most of them again. Nothing went wrong. Nothing was built either.
Creators & influencer
A million impressions is easy to celebrate. A dozen conversations with exactly the right customers may be worth more and look less impressive.
Method & craft
Founders postpone content because the imagined production is too large, so the person with the most useful knowledge stays invisible.
Method & craft
What should we post sounds like a creative problem. In most businesses it is an evidence problem: the raw material was thrown away all week.
Method & craft
The easiest way to waste money on social media is buying tools before deciding what the system needs to do.
Case studies
How an engineer-led company with no marketing budget made a complex piece of hardware mean something to riders, journalists, racers and investors at once.
Case studies
Two self-initiated, self-financed trips produced 60% of the reach. The show the client had planned around produced 1.8%.
Method & craft
Why the credibility that works with sophisticated cycling audiences cannot be manufactured, and where mine came from.
Nothing matches that. Try earned media, Komoot, creators or a destination.
Put it to work
Tell me what you are trying to make seen, understood or acted on. I will tell you where I think the run breaks.
See the work behind the writing